Saaya stands at a crossroads and declines, quite deliberately, to choose a side.
Saaya came from an absence — the lack of South Asian influence anywhere near the edgier end of fashion.
The skirt is really two skirts. One side reads as a classic denim mini; the other is alternating ruffles of denim chambray and embroidered silk, held out by tulle beneath so they keep their shape through a long night. That contrast is the entire point: the duality of being ingrained in one culture while belonging to another.
One side of the skirt is a traditional mini; the other is denim and embroidered silk falling in ruffles. That split is the whole point — what it is to live inside western culture while belonging to another.— Juhi









